Creating Gestural Sound Effects with the Intellijel Planar Module by Richard Devine // I setup this patch to work on a sound design project for a client, which needed unique transformer like power ups and electrical like swooshes. I borrowed the patch idea from another fellow sound designer friend Joseph Fraioli who came up with the original patch. I then took that and further added and tweaked a few things to adapt it to this project. The planar X/Y CV out is controlling the pitch of three different sound sources, intellijel cyclebox, and two intellijel Dixies. There is also multiple outs going to three different delay modules, Synthesis Technology E580, MakeNoise Echophon, and Doepfer BBD. This is just a short excerpt from that session of recordings.
Chris Kubex - How We Used To Play Vol.1 by The Future/Past Archives http://bit.ly/11I4Dhq
Thomas Schumacher - Do Real by Thomas Schumacher http://soundcloud.com/thomas-schumacher/thomas-schumacher-do-real
Biting Elbows - ‘Bad Motherfucker’ (Insane Office Escape 2) by Ilya Naishuller // Official music video for Biting Elbows’ 2013 single ‘Bad Motherfucker’ Out now @iTunes http://goo.gl/fpNCl @AmazonMP3 http://goo.gl/H3YIj Original Video found here: http://bit.ly/15gUPeT www.Bitingelbows.com www.facebook.com/bitingelbows contact(at)bitingelbows(dot)com
Life Drawing at The Book Club by Wriggles & Robins // Every easel in a life drawing class captures a different angle of the model. We created the film by editing each drawing with the next, moving around the circle of easels. To find out more about life drawing classes at The Book Club visit http://bit.ly/yEXrZG Shot, produced and directed by Wriggles & Robins Graded by Aline Sinquin at MPC Sound Mix by 750mph Music by davidkamp.de Life model: Clelia Rinaldi
A Tooth For An Eye by The Knife // ‘A Tooth For An Eye’ from The Knife’s forthcoming album ‘Shaking The Habitual’ released on 8/9 April. Available to pre order here: http://bit.ly/XP8fz0 ‘A Tooth For An Eye’ deconstructs images of maleness, power and leadership. Who are the people we trust as our leaders and why? What do we have to learn from those we consider inferior? In a sport setting where one would traditionally consider a group of men as powerful and in charge, an unexpected leader emerges. A child enters and allows the men to let go of their hierarchies, machismo and fear of intimacy, as they follow her into a dance. Their lack of expertise and vulnerability shines through as they perform the choreography. Amateurs and skilled dancers alike express joy and a sense of freedom; There is no prestige in their performance. The child is powerful, tough and sweet all at once, roaring “I’m telling you stories, trust me”. There is no shame in her girliness, rather she possesses knowledge that the men lost a long time ago. Music: ‘A Tooth For An Eye’ by The Knife taken from the album ‘Shaking The Habitual’ Dir. Roxy Farhat & Kakan Hermansson DOP: Aida Chehrehgosha Editing: Roxy Farhat